Perception confesses artistic value

Authors

DOI:

https://doi.org/10.35290/rcui.v4n2.2017.59

Keywords:

Perception, art, image, portrait, aesthetics

Abstract

Creating content about what we see or perceive derives in the expression of ideas and opinions, and without hesitation marked by the perceptions of the context in which we delve. In particular for the creator-artist, from the most essential, the drawing, the brushstroke and the form, capturing images describe identities that are not always immersed in the authenticity of the characters that we wish to portray.

Taking into account that art is subject to interpretation and the artistic ability to portray can derive in two actions, on the one hand the work that denotes what is looked at from the approach to pictorial realism where the technique and visual structure reflects the appearance of the immediate; and on the other hand, closer to the emotions, what the artist perceives, interprets and exposes. Therefore, the link between perception, artistic value and creation, related to the ability to portray, take center stage in this analysis with the purpose of identifying if from perception the message that the creator-artist proposes is clearly admitted, from the pictorial figuration of a simple element such as the portrait, and the approach of the artistic appreciation of visual structures glimpsed, without discarding the founded harmony that forms the aesthetics and artistic technique.

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References

Arnheim, R. (1976). El pensamiento visual. Buenos Aires: Eudeba.

Aumont, J. (1992). La Imagen. Barcelona: Paidós Ibérica.

Barthes, R. (1997). La cámara lúcida: nota sobre la fotografía. Barcelona: Paidós.

Berger, J. (1972). Modos de Ver. Inglaterra

Rand, A. (1963) The Objectivist Newsletter, The goal of my writing.

Published

2017-05-05

How to Cite

Machado Ortiz, D. M. (2017). Perception confesses artistic value. UISRAEL SCIENTIFIC JOURNAL, 4(2), 51–55. https://doi.org/10.35290/rcui.v4n2.2017.59

Issue

Section

Articles